Some of you may have noticed that many times you only be able to work as station by transmitting audio close to where they are transmitting. The reason is they are not making use of panoramic reception. There filters are often set narrow. If I had a dollar for every guy I have asked "what is your filter set for?" and they have said "what is a filter?" I would literally have a fist full of dollars.
Many operators, and it doesn't matter if they have been licensed 50 years or yesterday, have NO IDEA what the filters in their modern rigs do, how to use them, or even why they would want to use them. One of the things the 7300 (and when I use that as an example I mean all modern rigs, regardless of brand or model) is have a "set" of parameters that go with a particular mode. For instance the filter settings are context sensitive, So if you are in SSB mode the filter settings can be different than if you are in USB-D or so called "data mode. If fact more complex rigs like my 7610 will have DATA 1 DATA 2 and DATA 3 modes. You can make the filters anything you want. And they can all be different.
Remember this is a "software defined" radio and the setting are defined in software. In using WSJT-x for FT modes you typically want your receive filters to be set as wide as they can go. In the Icom rigs that is from about 100 hz to 3.6 Khz. Some modern rigs will go wider. The problem is people tend to cluster up around 1500 Hz, and the smart ones will venture closer to the edges BUT they still have go work guys that don't have a CLUE to what their filters are set for and don't know how to set them, and are just happy as clams working from around 1000 Hz to maybe 1900 or 2000 or so. "it has always worked for me that way." So you call them at 500 Hz and they don't hear you because their filters are not set up correctly. The smarter of the bunch start to wise up and do eventually figure it out. But many never do.
In my opinion it stems from the fact that Older not modern rigs had a single SSB filter in them, of maybe 2.4 or maybe 2.8 and if they paid for it had a CW filter in them. They could not "set them" to what they wanted, they just had to accept what ever was in there and that was that, and never gave it another thought.
On modern rigs you set the SSB filter to what ever you want, and you typically have 3 settings for each mode. So SSB1 maybe at 2.8 for wideband ragchew audio. one set for 2.4 for normal DXing contesting and one set for 1.9 for when things get really crowded and bad and you will be willing to accept lousy audio response to help eliminate QRM. Of course the twin passband dynamic filters do the same thing except on a dynamic "right now" basis and also let you shift the passband up or down by grasping both knobs and turning them in one direction.
Remember you are just controlling the software, you ain't moving some mechanical thing. Just pop the Twin Passband Tuning knobs in the nose to instantly reset it to centered and normal bandwidth as selected by the particular filter. Of course this works this way for CW, RTTY and Data modes. All the preset filter settings go along each time you call up one of these modes.
Aren't SDR's Grand?